The Royal Art

0. The Story

I. Book of Formation

II. The Primordial Tradition

III. The Lineage of the Patriarchs

IV. The Way of the Christ

V. Gnostic Disciple of the Light

VI. The Arthurian Mysteries & The Grail Quest

VII. The Hermetic Art

VIII. The Mystery School

IX. The Venusian & Bardic Arts

X. The Story of the New Earth

XI. The Philosophy & Law of Kings

XII. The New Aeon

XIII. The Book of Revelation

Enchantment of One’s Reality-Story

“I said the sense “stories about fairies” was too narrow. It is too narrow, even if we reject the diminutive size, for fairy-stories are not in normal English usage stories about fairies or elves, but stories about Fairy, that is Faerie, the realm or state in which fairies have their being. Faerie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.”

  • J.R.R. Tolkien, On Fantasy Stories

Tolkien’s Concept of Enchantment

  • Fantasy is not an escape from reality—it is a way of seeing reality more clearly.
  • The goal of fantasy is to reawaken the sense of wonder—to restore the enchanted perception of the world.
  • He rejected the idea that fantasy should be dismissed as mere fiction; rather, he saw it as a sacred act of sub-creation.

B. Fairy Tales as the Real World Without the Disenchanted Human

  • Tolkien suggested that the world of Faërie is not a separate realm, but this world seen with unclouded vision.
  • Myth is not a fictional escape but a return to the original enchantment of existence.