Count Saint Germain

French: Comte de Saint Germain;

 Some write that the name St. Germain invented for himself was a French version of the Latin Sanctus Germanus, meaning "Holy Brother".

Cartaphilus, the wandering jew

In the original legend, a Jew who taunted Jesus on the way to the Crucifixion was then cursed to walk the Earth until the Second Coming.

The root of the name Cartaphilus can be divided into kartos and philos, which can be translated roughly as "dearly" and "loved", connecting the legend of the Wandering Jew to "the disciple whom Jesus loved".

"It will yet be established beyond all doubt that the Comte de St. Germain was both a Mason and a Templar; in fact the memoirs of Cagliostro contain a direct statement of his initiation into the order of the Knights Templars at the hands of St.-Germain. Many of the illustrious personages with whom the Comte de St.-Germain associated were high Masons, and sufficient memoranda have been preserved concerning the discussions which they held to prove that he was a master of Freemasonic lore. It is also reasonably certain that he was connected with the Rosicrucians--possibly having been the actual head of that order."  --  Manly P Hall

Prince Charles of Hesse-Kassel considered him to be "one of the greatest philosophers who ever lived".

St. Germain used a variety of names and titles, an accepted practice amongst royalty and nobility at the time. These include the Marquis de Montferrat, Comte Bellamarre, Chevalier Schoening, Count Weldon, Comte Soltikoff, Graf Tzarogy, and Prinz Ragoczy.

The count used a variety of names and titles, including the Marquess of Montferrat (Fr. Marquis de Montferrat), Count Bellamarre (Fr. Comte Bellamarre), Knight Schoening (Fr. Chevalier Schoening), Count Weldon, Count Soltikoff (Fr. Comte Soltikoff), Manuel Doria, Graf Tzarogy, and Prince Ragoczy (De. Prinz Ragoczy).

He is said to have made far-fetched claims (such as being 500 years old),[5] leading Voltaire to dub him "the Wonderman", and that "he is a man who does not die, and who knows everything".[6][7] Prince Charles of Hesse-Kassel, called him "one of the greatest philosophers who ever lived".[

• The Comte de St.-Germain...His linguistic proficiency verged on the supernatural. He spoke German, English, Italian, Portuguese, Spanish, French with a Piedmontese accent, Greek, Latin, Sanskrit, Arabic and Chinese with such fluency that in every land in which he visited he was accepted as a native... The Comte was ambidextrous to such a degree that he could write the same article with both hands simultaneously. When the two pieces of paper were afterwards placed one upon the other with the light behind them the writing on one sheet exactly covered the writing on the other. He could repeat pages of print after one reading... By something akin to telepathy this remarkable person was able to feel when his presence was needed in some distant city or state and it has even been recorded of him that he had the disconcerting habit of appearing in his own apartments and those of his friends without resorting to the conventionality of the door.... He made a movement with his hand as if in signal of departure, then said 'I am leaving (ich scheide) do not visit me. Once again will you see me. Tomorrow night I am off; I am much needed in Constantinople, then in England, there to prepare two inventions which you will have in the next century — trains and steamboats'."
• Manly P. Hall in The most holy trinosophia of the Comte de St.-Germain, Introduction, p. 12-14 (1933)
• In one of his tales concerning vampires, St.-Germain mentioned in an offhand way that he possessed the wand or staff with which Moses brought water from the rock, adding that it had been presented to him at Babylon during the reign of Cyrus the Great. The memoir writers admit themselves at a loss as to how many of the Comte’s statements could be believed... his information was of such precise nature and his learning so transcendent in every respect that his words carried the weight of conviction. Once while relating an anecdote regarding his own experiences at some remote time and suddenly failing to recollect clearly what he considered a relevant detail, he turned to his valet and said, "Am I not mistaken, Roger?" The good man instantly replied: "Monsieur le Comte forgets that I have only been with him for five hundred years. I could not, therefore, have been present at that occasion. It must have been my predecessor."
• Manly P. Hall, Introduction, The most holy trinosophia of the Comte de St.-Germain, p. 14-15, (1933)
• ...concerning the source of the Comte de St.Germain’s occult knowledge... he not only intimated his possession of a vast amount of wisdom but he also gave many examples in support of his claims. When asked once about himself, he replied that his father was the Secret Doctrine and his mother the Mysteries. St.-Germain was thoroughly conversant with the principles of Oriental esotericism. He practiced the Eastern system of meditation and concentration, upon several occasions having been seen seated with his feet crossed and hands folded in the posture of a Hindu Buddha. He had a retreat in the heart of the Himalayas to which he retired periodically from the world. On one occasion he declared that he would remain in India for eighty-five years and then return to the scene of his European labors. At various times he admitted that he was obeying the orders of a power higher and greater than himself....The Comte de St.- Germain and Sir Francis Bacon are the two greatest emissaries sent into the world by the Secret Brotherhood in the last thousand years.
• Manly P. Hall, Introduction, The most holy trinosophia of the Comte de St.-Germain, p. 22, (1933)

Giacomo Casanova describes in his memoirs several meetings with the "celebrated and learned impostor". Of his first meeting, in Paris in 1757, he writes:

The most enjoyable dinner I had was with Madame de Robert Gergi, who came with the famous adventurer, known by the name of the Count de St. Germain. This individual, instead of eating, talked from the beginning of the meal to the end, and I followed his example in one respect as I did not eat, but listened to him with the greatest attention. It may safely be said that as a conversationalist he was unequalled.

St. Germain gave himself out for a marvel and always aimed at exciting amazement, which he often succeeded in doing. He was a scholar, linguist, musician, and chemist, good-looking, and a perfect ladies' man. For a while he gave them paints and cosmetics; he flattered them, not that he would make them young again (which he modestly confessed was beyond him) but that their beauty would be preserved by means of a wash which, he said, cost him a lot of money, but which he gave away freely. He had contrived to gain the favour of Madame de Pompadour, who had spoken about him to the king, for whom he had made a laboratory, in which the monarch – a martyr to boredom – tried to find a little pleasure or distraction, at all events, by making dyes. The king had given him a suite of rooms at Chambord, and a hundred thousand francs for the construction of a laboratory, and according to St. Germain the dyes discovered by the king would have a materially beneficial influence on the quality of French fabrics.

This extraordinary man, intended by nature to be the king of impostors and quacks, would say in an easy, assured manner that he was three hundred years old, that he knew the secret of the Universal Medicine, that he possessed a mastery over nature, that he could melt diamonds, professing himself capable of forming, out of ten or twelve small diamonds, one large one of the finest water without any loss of weight. All this, he said, was a mere trifle to him. Notwithstanding his boastings, his bare-faced lies, and his manifold eccentricities, I cannot say I thought him offensive. In spite of my knowledge of what he was and in spite of my own feelings, I thought him an astonishing man as he was always astonishing me.[

Discounting the snippets of political intrigue, a few musical pieces, and one mystical poem, there are only two pieces of writing attributed to the Count: La Très Sainte Trinosophie and the untitled The Triangular Book of St. Germain (The Triangular Manuscript).

The first book attributed to the Count of Saint Germain is La Très Sainte Trinosophie, a beautifully illustrated 18th century manuscript that describes in symbolic terms a journey of spiritual initiation or an alchemical process, depending on the interpretation. This book has been published several times, most notably by Manly P. Hall, in Los Angeles, California, in 1933. The attribution to St. Germain rests on a handwritten note scrawled inside the cover of the original manuscript stating that this was a copy of a text once in St. Germain's possession.[1] However, despite Hall's elaborate introduction describing the Count's legend, The Most Holy Trinosophia shows no definitive connection to him.

The second work attributed to St. Germain is the untitled 18th century manuscript in the shape of a triangle. The two known copies of the Triangular Manuscript exist as Hogart Manuscript 209 and 210 (MS 209 and MS 210). Both currently reside in the Manly Palmer Hall Collection of Alchemical Manuscripts at the Getty Research Library.[19][20] Nick Koss decoded and translated this manuscript in 2011 and it was published as The Triangular Book of St. Germain by Ouroboros Press in 2015.[21] Unlike the first work, it mentions St. Germain directly as its originator. The book describes a magical ritual by which one can perform the two most extraordinary feats that characterized the legend of Count of St. Germain, namely procurement of great wealth and extension of life.

Annie Besant said that she met the Count in 1896.[31]: 212 n2  C. W. Leadbeater claimed to have met him in Rome.[32]: 11  According to Leadbeater, the count had brown eyes, olive colored skin, and a pointed beard, adding "the splendour of his Presence impels men to make obeisance".[32]: 44  Elsewhere, he described the count as wearing "a suit of golden chain-mail which once belonged to a Roman Emperor; over it is thrown a magnificent cloak of crimson, with on its clasp a seven-pointed star in diamond and amethyst, and sometimes he wears a glorious robe of violet."[32]: 286–287