"Fixing the Volatile." In the alchemical arc, this is the moment where the elusive, fluid spirit (Mercury) is captured, weighted down, and slain by the heavy, leaden principle of time and death (Saturn) so that it may rot and be reborn.
A youthful, winged figure wearing a short tunic, holding a caduceus (two serpents around a staff). This is Mercury (Latin: Mercurius), the alchemical principle of volatility, spirit, subtlety, transformation, and mediation. In alchemical diagrams Mercury is often winged, light, and mobile.
An older, bearded winged figure dressed in blue, holding a scythe.An hourglass stands on his head. This is Saturn (Latin: Saturnus), the alchemical principle of fixity, heaviness, limitation, time, decay, and dissolution. Saturn’s scythe and the hourglass are standard symbols.
They are shown in confrontation, but this is not literal combat. It depicts the chemical and spiritual tension between the volatile (Mercury) and the fixed (Saturn).
In alchemical theory, the Work cannot begin unless the fixed body is softened by the volatile spirit, and the volatile spirit is anchored and stabilized by the fixed body. The interaction of Saturn and Mercury is the first stage of the Great Work: the breaking down of raw matter.

matter (Saturn) must be dissolved, and spirit (Mercury) must be fixed.
“Mercury conquers Saturn, yet is also captured by him.” “The old king must die so a new king may arise.”
Prima congelatio fit per hunc Mercurium hoc est per purificationem. Si autem materia lapidis aquae gossii, aeris autem et caloris, nec frigore congelari potest… …qui vero hunc nostrum Mercurium hoc modo recte praeparaverit, is in hoc opere primam congelationem dignam inveniet.
Translation (literal):
“The first coagulation is made through this Mercury, that is, through purification. But if the material of the Stone is watery, airy, and hot, it cannot be congealed by cold… Yet whoever prepares our Mercury correctly in this manner will find in it the first worthy coagulation of the Work.”
The “first congelation” (coagulation, fixation) happens only when the purified Mercury acts upon the raw material to begin creating the Stone.
Latin:"Prima congelatio ☿ fit per ♄ hoc est, per putrefactionem."
English:"The first congelation [solidification/freezing] of Mercury is brought about by Saturn; that is, through putrefaction."
The smaller text below elaborates, quoting the great alchemist Eirenaeus Philalethes. It speaks of the "matter of the stone" being a "gross water" (thick water) and discusses the qualities of heat and cold. It confirms that Saturn (Lead) provides the necessary "cold" to freeze the running water of Mercury.
Saturn = the prima materia The base matter is heavy, dark, lead-like, and inert.
Mercury = the transformative agent Spirit, subtlety, dissolution, inner fire.
Their encounter = the beginning of the Work Mercury “strikes” Saturn, opening him, killing the “old king.”
The clouds = the “upper region” of the vessel Indicating sublimation, volatility, spiritualized operation.
Hourglass and scythe = Saturn as Time and Death Time must “stop” for transformation to begin; death precedes rebirth.
The Caduceus = union of opposites Mercury alone reconciles above and below, fire and water, body and spirit.
Mercury (The Volatile Spirit) The figure on the left is the Archetypal Mercury. He holds the Caduceus (the balanced currents of energy). He is young, winged, and energetic. He represents Quicksilver—the chaotic, fluid, living spirit that flies away in the fire. He is the "fugitive stag." If you do not capture him, the Work cannot begin.
Saturn (The Fixed Body) The figure on the right is Father Time (Chronos), the planetary ruler of Lead. He holds the Scythe (death/separation) and the Hourglass (time/patience). He is heavy, slow, and cold. He represents the body, the grave, and the limit.
The Combat in the Clouds Why are they fighting in the air? This represents the stage of Sublimation followed by Coagulation.
- Mercury tries to fly upward (volatilize).
- Saturn cuts his wings with the scythe (fixes him).
- "Congelation" means to make the fluid solid. You are taking the restless mind (Mercury) and pinning it to the cross of matter (Saturn/Earth) so it can undergo transformation.
Putrefaction The text explicitly mentions putrefaction. In alchemy, "to rot" is to purify. The seed must die in the ground (Saturn's domain) before it can sprout wheat. Saturn "kills" Mercury to strip him of his volatility, turning the "Water" into "Earth."
The Inverted Text
The writing between their heads is upside down. It is a mirror script, often used to hide secrets or indicate that what is happening is a reflection of an inner reality. It appears to say (in a mix of Latin and French script common to the era): “Jam ille hic…” ("Now he is here..."). It suggests the moment of capture—the volatile spirit has finally been caught.
Latin Text | Translation |
Prima congelatio ☿ fit per ♄ hoc est, per putrefactionem. | The first congelation [solidification/fixing] of Mercury ($\text{☿}$) is brought about by Saturn ($\text{♄}$); that is, through putrefaction. |
The fragmented, inverted text hovering between Mercury and Saturn suggests the exact moment of their conjunction or capture.
Script Between Figures | Interpretation |
[Inverted, fragmented script] | This appears to be a secret phrase or a simple declaration of the moment of fixation, possibly including phrases like "Jam ille hic" ("Now he is here") or a shortened name of a reagent. It signifies the success of Saturn's operation upon Mercury. |
The smaller, denser text directly underneath the main caption elaborates on the nature of the matter, quoting and echoing standard Hermetic philosophy (particularly the ideas popularized by Eirenaeus Philalethes, whose works were well-known in this era).
The script is heavily abbreviated, but the content refers to the Materia Prima (First Matter) and the required duration of the process.
Latin Text (Approximate Reconstruction) | Translation (Contextualized) |
Est autem materia lapidis aqua grossa... Philalethes... | Now, the matter of the Stone is a thick water... Philalethes [says]... |
...quæ fit lapis per separationem, ut aurum... | ...which is made into the Stone through separation, as gold [is separated]... |
...a sua aqua... et duritia, qua lapis per se ipsum... | ...from its water... and the hardness, by which the Stone itself... |
...hic noster est; hic est finis operis... | ...is ours; this is the end of the work... |
...magis quam dierum antequam cœlestem | ...more than [a matter of] days before the celestial [work]... |
...mover omnia omni suppositioni digna. | ...moves all things worthy of all supposition. |