“Ride the Tiger (1961), Evola's last major work, saw him examining dissolution and subversion in a world in which God was dead, and rejected the possibility of any political or collective revival of Tradition due to his belief that the modern world had fallen too far into the Kali Yuga for any such thing to be possible. Instead of this and rather than advocating a return to religion as Rene Guénon had, he conceptualised what he considered an apolitical manual for surviving and ultimately transcending the Kali Yuga. This idea was summarised in the title of the book, the Tantric metaphor of "Riding the Tiger" which in general practice, consisted of turning things that were considered inhibitory to spiritual progress by mainstream Brahmanical society (for example, meat, alcohol and in very rare circumstances, sex, were all employed by Tantric practitioners) into a means of spiritual transcendence. The process that Evola described involved potentially making use of everything from modern music, hallucinogenic drugs, relationships with the opposite sex and even substituting the atmosphere of an urban existence for the Theophany that Traditionalists had identified in virgin nature.”